I’m a big fan of the writer Michael Chabon. Recently, at an Obama fundraising
event, he read the piece below. I’ve read and re-read it several times since
that special night.
I started to write something about the importance of imagination in creating
the kind of change we need to save this precious planet. Then I realized
I could never write as beautifully or as convincingly as Mr. Chabon. To be
clear, he has never been approached about Grow the Hope and has not endorsed
the idea nor the specific text on this site. I reprint this without permission,
but with attribution and appreciation.
=====================================================================
The Obama Arts Policy Committee asked committee member and author, Michael
Chabon, to describe the critical importance of the arts at this moment
of remarkable opportunity and challenge in our nation's history.
STATEMENT BY MICHAEL CHABON
"Every grand American accomplishment, every innovation that has benefited
and enriched our lives, every lasting social transformation, every moment
of profound insight any American visionary ever had into a way out of despair,
loneliness, fear and violence—everything that has from the start made America
the world capital of hope, has been the fruit of the creative imagination,
of the ability to reach beyond received ideas and ready-made answers to some
new place, some new way of seeing or hearing or moving through the world.
Breathtaking solutions, revolutionary inventions, the road through to freedom,
reform and change: never in the history of this country have these emerged
as pat answers given to us by our institutions, by our government, by our
leaders. We have been obliged—to employ Dr. King’s powerful verb—to dream
them up for ourselves.
America’s artists are the guardians of the spirit of questioning, of innovation,
of reaching across the barriers that fence us off from our neighbors, from
our allies and adversaries, from the six billion other people with whom we
share this dark and dazzling world. Art increases the sense of our common
humanity. The imagination of the artist is, therefore, a profoundly moral
imagination: the easier it is for you to imagine walking in someone else’s
shoes, the more difficult it then becomes to do that person harm. If you
want to make a torturer, first kill his imagination. If you want to create
a nation that will stand by and allow torture to be practiced in its name,
then go ahead and kill its imagination, too. You could start by cutting school
funding for art, music, creative writing and the performing arts.
Our children need training and encouragement and support—they need rehearsal
space and tempera paint and bass violins, teachers and tap-shoes; they need
constant, passionate exposure to the great artistic heritage of their people,
so that even if they don’t grow up to be artists themselves, they will still
have been blessed, as Americans have always been blessed, with the artist’s
gift for seeing the possible in the impossible, the fellow soul on the other
side of the fence. Our artists need freedom to pursue the solitary investigations
into which their art inevitably leads them. America needs that untrammeled
flow of creativity, of the willingness and ability to innovate, to skylark,
to tinker, to daydream out loud: over the course of two and a half centuries
now, our creative flow has filled the world’s libraries, museums, theaters
and recital halls, its academies, movie houses and marketplaces, with works
of genius to break the heart and boggle the mind. And the people of the world–our
world–need an America that remains in full, confident possession of its mighty
gift of imagination, not merely to meet the global demand for our entertainment
and art and literature, but so that they–and we–need never fear the brutality,
the arrogance and the inhumanity to which a nation in want of imagination
must, inevitably, descend.
- Michael Chabon
From:
http://www.artsactionfund.org/pdf/artsvote/ObamaStatement3b.pdf
Michael Chabon is the Pulitzer-Prize winning author of THE YIDDISH POLICEMEN’S
UNION and THE AMAZING ADVENTURES OF KAVALIER AND CLAY. His other books include
THE MYSTERIES OF PITTSBURGH and WONDER BOYS. His work has appeared in The
New Yorker, Harper’s, and in a number of anthologies, among them Best American
Short Stories 2001 and Prize Stories 1999: The O. Henry Awards. He lives
in Berkeley, California, with his wife, Ayelet Waldman, also a novelist,
and their four children.